sábado, 3 de setembro de 2011
Blodwyng Pig - Ahead Rings Out
ESTA BANDA ERA COMANDADA POR MICK ABRAHAMS, EX-GUITARRISTA DOS PRIMEIROS DISCOS DO JETHRO TULL, NA FASE MAIS BLUEZEIRA E MALUCA DO JETHRO!! QUEM CONHECE VENENOS LEMBRA DO PRIMEIRO DISCO DO JETRHO TULL "THIS WAS" QUE ERA BASICAMENTE BLUES, JAZZ E ROCK DE ALTA QUALIDADE! POIS É, MICK ABRAHAMS SEGUIU ESTA LINHA NO BLODWYN PIG!! VIOLINO SAX EM DOSES CERTAS FAZENDO DESTE DISCO UMA OBRA DO BLUES ROCK PROGRESSIVO!! AQUI TEM UMA EDIÇÃO COM EXTRAS E COM TODAS CAPAS!! VENENO PURO E LETAL!! ATÉ O PORQUINHO DA CAPA SE ENVENENOU E ENLOUQUECEU!!
Album Review
None of Jethro Tull's progressive rock tendencies or classical influences followed Mick Abrahams into his creation of Blodwyn Pig, even with the inclusion Jack Lancaster's sax- and flute-playing prowess. Instead, Abrahams built up a sturdy British blues-rock sound and used Lancaster's horn work to add some fire to the band's jazzy repertoire. Ahead Rings Out is a stellar concoction of gritty yet flamboyant blues-rock tunes and open-ended jazz centered around Mick Abrahams' cool-handed guitar playing, but it's the nonstop infusion of the other styles that makes the album such a solid listen. After only one album with Jethro Tull, Abrahams left to form this band, and it's evident that he had a lot of pent-up energy inside him when he recorded each of the album's tracks. With a barrage of electrifying rhythms and fleeting saxophone and woodwind excursions, cuts like "Sing Me a Song That I Know," "Up and Coming," and "Backwash" whip up highly energetic sprees of rock and blues. Most of the tracks have a hearty shot of rock up the middle, but in cuts like "The Change Song" and "Backwash," the explosive riffs are accompanied by a big band style of enthusiasm, adding even more depth to the material. Andy Pyle's bass playing is definitely distinct throughout each track and is used for anything but a steady background, while labeling Ron Berg's drumming as freewheeling and intemperate would be an understatement. It's apparent that Blodwyn Pig's style is indeed distinct, releasing a liberated and devil-may-care intensity while still managing to stay on track, but the fact that each cut convokes a different type of instrumental spiritedness is where the album really gains its reputation. Wonderfully busy and even a tad motley in some places, Ahead Rings Out shows off the power and vitality that can be channeled by combining a number of classic styles without sounding pretentious or overly inflated. A year later, Blodwyn Pig recorded Getting to This before Abrahams left the band, and although it's a solid effort, it falls just a smidgen short of Ahead Rings Out's bluesy dynamism. [The 2006 edition features seven bonus tracks.]
Mick Abrahams: guitar, vocals, seven-string slide guitar
Jack Lancaster: flute, violin, tenor sax, baritone sax, soprano sax
Andy Pyle: Electric bass, six-string bass
Ron Berg: drums
01.It's Only Love 3:23
02.Dear Jill 5:19
03.Sing Me a Song That I Know 3:08
04.The Modern Alchemist 5:38
05.Up and Coming 5:31
06.Leave It With Me 3:52
07.The Change Song 3:45
08.Backwash 0:53
09.Ain't Ya Coming' Home, Babe? 6:04
Bonus:
10.Sweet Caroline 2:51
11.Walk on the Water 3:42
12.Summer Day 3:44
13.Same Old Story 2:36
14.Slow Down 4:20
15.Meanie Mornay 4:45
16.Backwash
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Chaplin Harnes
ÓTIMA BANDA AMERICANA QUE FAZIA UMA PSICODELIA PROGRESSIVA COM ALGUMAS PITADAS DE BLUES E SOUL EM ALGUNS MOMENTOS!! GUITARRAS DISTORCIDAS E ORGAN PESADO DÃO O TOM DO DISCO!! O DESTAQUE FICA POR CONTA DE "RICK IANNACONNE" QUE DEPOIS VIRIA A FAZER GRANDE NOME NO MUNDO DO JAZZ, TOCANDO COM GRANDES NOMES COMO JOHN COLTRANE E MILES DAVIS!! EXCELENTE, RARO E RECOMENDADO VENENO!!
"The great New Jersey band who recorded their self-titled album in 1969. At Mod Sound Studios. Great late '60s psychedelic music with distorted guitars and heavy organ."
"Originally released as a 50 copy test press way back in 1969, the band was from Philadelphia. This is a 600 press with glossy color psychedelic cover and photos of the band on the back. The album contains all original songs and is mostly psychedelic with a couple progressive instrumental cuts, 11 songs in all. The band features a great singer and future guitar legend Rick Iannaconne, who later made a big name for himself in the world of jazz, playing with Coltrane, Miles Davis etc. The recording came from the bands' original tapes and sounds very good. Songs include 'High on a Happy', 'Walk on Mister', and the classic 'Dit Dewey Man', which is psychy, funky and flat out cool. The original test presses have been a coveted collectors item for a long time fetching hundreds of dollars making this reissue an instant classic. The album also features an insert and the 45 release of 'Dit Dewey Man' as a bonus cut."
Raymond Bozarth (vocals)
Rick Iannaconne (Guitar)
Edward Monroe (guitar)
Joseph Mingori (keyboards)
William Vespe (drums)
01. Chances
02. Dit Dewey Man
03. Without You
04. Stitch
05. Walk on Mister
06. 3/4 Plaything
07. High on a Happy
08. Sheila
09. Peat Moss
10. Sure Am Sorry
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Cannabis India
ALBUM EXTREMAMENTE RARO DESSE POWER TRIO ALEMÃO FUNDADO EM 1971 POR "OLIVER PETRY" (ORGAN AND VOCALS), "DIRK FLECK" (BASS) E "BRAUNE RÜDIGER" (DRUMS), TODOS EX-INTEGRANTES DA BANDA DE COVERS CHAMADA "THE FUTURES"!! EM POUCO TEMPO O POTENCIAL MUSICAL DA CANNABIS INDIA GANHAVA REPERCUSSÃO NA ALEMANHA, ONDE FIZERAM MUITOS SHOWS EM CLUBES, BARES E FESTIVAIS DE MUSICAS. TOCANDO AO LADO DE BANDAS COMO KIN PIN MEH, BEGGARS OPERA E EILIFF!! O DISCO FOI GRAVADO NOS ESTUDIOS DA RADIO SWF ALEMÃ, PRESERVADO POR MUITO TEMPO NOS PORÕES DO ESTÚDIO E FINALMENTE LANÇADO EM CD EM 2009!! OLIVER PETRY ERA UM PRODÍGIO DO PIANO E UM DEVOTO DE KEITH EMERSON!! A BANDA TEVE VIDA CURTA, MAS NOS DEIXOU ESSA JAM SESSION ONDE FAZIAM UM CLASSICO-PROGRESSIVO INSTRUMENTAL COM GRANDES SUITES, INCLUINDO UMA VERSÃO DA 9º SINFONIA DE BEETHOVEN!!
"Outra pérola esquecida dos cofres da emissora SWF, na Alemanha. Cannabis India foi fundada em 1971 na região de Düsseldorf e mostrava o seu talento tocando suas próprias composições, influenciado por grupos como The Nice ou Emerson, Lake & Palmer. O lídera da banda, o pianista Oliver Petry estudou piano desde os sete anos de idade. Quando ele ouviu Keith Emerson, pela primeira vez ele mudou de instrumento e começou a tocar organ com grande entusiasmo. Juntamente com o baterista Rüdiger Braune e o furioso baixista Dirk Fleck, Cannabis Índia executava suas peças com uma velocidade infernal, mas também com um bom senso de drama. Cerca de 12 minutos da épico faixa "Lapis" e 11 minutos da 9ª de Beethoven mostram a força musicas da banda. O CD vem com 2 faixas bônus da banda Universo, pós-Cannabis India. O Album foi remasterizado digitalmente a partir da Master Tapes originais."
Cannabis India was founded in 1971 by Oliver Petry (organ, vocals), Dirk Fleck (bass) and Rüdiger Braune (drums), all of them former members of the cover band The Futures. Burckhard Eick, former keyboarder with The Futures, became their manager. In next to no time they managed to come up with a repertoire suitable for gigs, consisting of exclusively own compositions in the style of classical-rock. Playing like a lost basement recording of ELP circa 1971, this high-energy power trio pumped out shameless ersatz classical rock and recorded one brief set in 1973 at Germany's Sudwestfunk radio facilities, preserved and finally released in 2009 on Long Hair. Cannabis India was loosely part of Dusseldorf's Wuppertal scene and was led by child piano prodigy (and Keith Emerson devotee) Oliver Petry, backed by the fierce performance of drummer Rudiger Braune and noted bassist Dirk Fleck.
The band had a brief career but developed a reputation locally as a strong live act, and that immediacy comes pouring through on SWF Session 1973, an all-instrumental sample of four cuts including a version of Beethoven's 9th. We're battered open by Petry's machine gun riffing for 'Hand of the King': mean, dynamic, and very cool, Rudiger Braune Keith Mooning his way through it all and the masterful intonation of Dirk Fleck's Fender bass. Many good changes in this 7+ minute chunk of fugue flash, followed by doubly-long 'Lapis' where the Tarkus quotes are most present. Though frankly, CI was probably doing the sort of pure instrumental organ rock that many ELP fans quietly wished their favorite band would indulge more in. No deep lyrics, gonzo improvisations or lovelorn ballads here, just three hungry players with a taste for this new sound in popular music. 'Revolver' is a Gothic dungeon in the great North German school tradition, and the massive 'Beethoven's 9th' is a very fine interpretation.
- Oliver Petry / organ
- Rudiger Braune / drums
- Dirk Fleck / bass
1. Hand of the King (7:26)
2. Lapis (11:54)
3. Revolver (4:18)
4. Beethoven's 9th (10:52)
5. Mirror (3:37)
6. The Hunt (5:18)
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